Tag: print
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ARQ 111 – DEGROWTH
Very excited to share the new issue of ARQ 111 on the theme of DEGROWTH as Guest Editor. The editorial asks, ‘is degrowth appropriate for all geographies and cultures? Is it worth exploring if it is not an anti-capitalist pursuit? Who is responsible, and who pays the price of degrowth? And for us, what is the role […]
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THE MEDIA OF ARCHITECTURE: PRINT, EXHIBITIONS, AND COMMUNICATIONS AT COLUMBIA GSAPP
“The Media of Architecture: Print, Exhibitions, and Communications at Columbia GSAPP” December 9, 12:30pm at GSAPP Incubator / New Inc. Rather than examine these methods within the production of architecture itself, this event explores architectural narratives as they are expressed within academic, critical, and cultural settings. We will consider the role of exhibition making, print […]
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UNDISCIPLINED CMU: A DESIGN-BUILD MASONRY STUDIO
UNDISCIPLINED CMU: A DESIGN-BUILD MASONRY STUDIO is the book that document the project of the same name. The book was done during the Summer of 2015 in collaboration with Pier Paolo Pala, Chau Tran and Yuliya Veligurskaya, students who took part on the Spring semester making the project. The book is available for purchase here and to […]
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THE DAY AFTER THE CARNIVAL
The Day After the Carnival: The Hangover of Work (in Late Capitalism) was a graduate studio taught at Penn Design in the University of Pennsylvania, inquiring the intersection of work-production as a mode of carnivalesque action in the form of hangover. Students researched and draw existing program-buildings near Northern Liberties, analyzed their local-global logics, composed programmatic […]
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REPLACING SPLITTING
Artist Gordon Matta-Clark Splitting’s house photographs were superimposed in the location where the house stood before demolition in 1974. Re-placing took place on April 2013 in Englewood, New Jersey. RE-PLACING SPLITTING is part of Destructive Knowledge: Tools for Learning to Un-Dō, a theoretical investigation between docility, knowledge and discipline through the artist’s work. Physical Installation, […]
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3595 BROADWAY
3595 Broadway is a critique/article to a mixed-use building by Columbia University’s uptown expansion in New York City, published in The Architect’s Newspaper here. Author, 2015.
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ARCHITECTURE OF INDUSTRIOUSNESS
Architecture of Industriousness is a short text part of House Housing: An Untimely History ofArchitecture and Real Estate in Nineteen Episodes, exhibition’s pamphlet, made for the traveling exhibition Venice’s Casa Muraro during the summer of 2014, and off-Venice Biennale site. Also available on the web at http://www.house-housing.com. Research and Production Coordinator for the Venice part […]
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LOCATING OUT-SOURCING
PG-Arch, a project for the exhibition Locating Out-sourcing at Studio-X Mumbai, departs from the acronyms used in the industry as a provocation for its architecture, from the Perfectly Generic Architecture (equivalent to the Professional Golf Association) to a Politically Generated Architecture. Photo shows Pangea3 headquarters, one of the largest legal-outsourcing services provider based in New […]
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PROMISCUOUS ENCOUNTERS
Promiscuous Encounters, a day-long event held at the GSAPP in March 2012, examined the interplay between the critical, curatorial, and conceptual capacities of architecture, neither audio nor video recordings were made. This publication is, then, the vehicle for the event’s documentation and the site where the interpretations of both participants and audience are made public, […]
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POLIMORFO
Polimorfo is the journal of the School of Architecture of the Polytechnic University of Puerto Rico. Founder, Editor, Designer, 2009-2011 (in collaboration with Oscar Oliver-Didier). PDF available online here.
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PLACE AND CONTEXT STUDIO
For the initial part of the course, first year undergraduate students where confronted to notions of place and context. An analytical city study was developed through the layering of cartographic drawings including a vast variety of the city’s visible and invisible infrastructure. Mixed media, hand drawn. Studio Instructor, 2007.
Marcelo López–Dinardi 