Memory is a vital resource for trying to explain cities. Valparaíso in Chile has been no exception as evidenced by the efforts that made the city a World Heritage Site (UNESCO) after this project began in 2002. Therefore, critical analysis of heritage-related memory could present operational and architectural alternatives in the exercise of articulating historical value. With this premise, the project proposes an alternative for the staging of the city through its “documents of the past,” with a scenery dominated by the transient and imagination as a tool of memory. The city’s geographic amphitheater-like formation strengthens the relationship with the bay or scenario. In this theatrical play of floating objects and dialectical views, memory becomes a strong yet diffuse record of the temporal, becoming the main resource of the project.
The strategy of distancing from the city to intervene from outside raises a dynamic attitude of happening to address the ambitious cultural program for the city. The architecture would transcend its object value, framed in the city’s undeniable landscape. In this sense, the project works on several levels, it appropriates the floating dock structure Valparaíso III as the venue for fall/winter cultural events. Here the activities will occur in a series of pavilions, which would be at this time of the year within the floating dock to safeguard them from the winter tides. During the first day of Spring, pavilions will float and leave the dock to locations in the city shore, to accommodate orchestrated events that will complement the festive coastal living.
The project’s five pavilions could be associated with various expressions of the city. There are four types that accommodate exhibitions, music performances and film screenings. Cladded in copper they seek to acquire the passage of time. Architecture will perform its capacity to provoke and activate the individual memories of the collectivity through time.
Marcelo López–Dinardi 