In-Between the Physical and the Psychological: Locating Gordon Matta-Clark and Architecture, is a research-paper presented during the Fall Association of Collegiate Schools of Architecture–MARFA, TX conference. The paper discuss the paternal/architectural weight of the artist-trained architect Gordon Matta-Clark and his father the surrealist painter–also trained architect Roberto Matta. Examining the archive of his works at the Canadian Centre for Architecture in Montreal it interrogates the archive as content but also as site from where to have access to his work in an anarchivic way, similar to his anarchitecture.
COCA was the First Congress in Architectural Communication held at the Escuela Técnica Superior de Arquitectura de Madrid (ETSAM). I presented during the ‘Pedagogical Actions’ panels the work Spatial and Body Transactions developed by Barnard+Columbia students during the spring 2017 semester. It explored the conditions for transactions in an educational setting, that of the Barnard and Columbia campus in NYC. The project asks, where and how are formulated the transactions defining the codes for space and the body interaction. These relations are understood here to be a complex design and cultural operation of spatial, formal, legal, visual, political, aesthetic, and performative capacities. Projects ranged from archive research and documentation through drawing, photography, augmented reality or video.
“Incubating New York” will take place at the GSAPP, Columbia University on December 2, 2016 at 1pm. A panel discussion about the ideas and work developed during my residency at the GSAPP Incubator between 2015-2016.
More info here and video recording of the event here.
Methods and Media is an exhibition and a lecture at the BB Gallery of the Rhode Island School of Design after an invitation by faculty members Emanuel Admassu and Aaron Forrest.
Methods and Media, the exhibition, is the exploration of the unconstruction process of the A(n) Office/McEwen Studio House Opera, as I video-documented it during a single week in Detroit. The exhibition includes three 13:57 minutes films, Duration, Ascending and Rooms, and one 1:52 minutes video showing the transformed house. Each film shows a rather systematic approach to the measured capacities of the video-media, and dissects the five-days of footage, analyzing the time-extensions of each clip taken, the sound variations, and the ambiguous perception of space through the camera lens.
Exhibition Design, Curatorial Framework, Lecturer, 2015.