A continuation of Public Assemblies and Infrastructures from the Fall 2018, INFRASTRUCTURES, THE COMMONS, AND THE RIGHT TO THE CITY is a third year architecture studio (Spring 2019) that will consider what, how and by whom are the collective title shaped Bryan, Texas, and how their identification and critical analysis can inform the production of a program and a project for architecture in the form of a (public) infrastructure, building, public space, or a public assembly. The studio will have a strong research agenda investigating subjects, communities, legal frameworks, technology, and contemporary forms of defining the infrastructure and the commons that are informed by or resist the neoliberal logic of economical performance metrics.
PUBLIC(S) ASSEMBLIES AND INFRASTRUCTURES is a third year architecture studio (Fall 2018) that will consider what and who constitutes the publics (in plural) of the cities of College Station and Bryan, in Texas, and how their identification and critical analysis can inform the production of a program and a project for architecture in the form of a public infrastructure or a public assembly. The studio will have a strong research agenda investigating subjects, communities, legal frameworks, technology, and contemporary forms of work and leisure that are informed by or resist the neoliberal logic of economical performance metrics.
The project Spatializing Debt: A Visual Audit was presented at Columbia GSAPP after an invitation by the Buell Center for the Study of American Architecture from the Graduate School of Architecture, Planning and Preservation from Columbia University during the panel Unnatural Disaster: Infrastructure in Puerto Rico before, during, and after Hurricane Maria on November 9, 2018.
More information about the event and its video recording can be accessed here.
Spatializing Debt: A Visual Auditing examines the intersection of architecture, political economy and visual imaginaries with the logics of state-financial debt under Puerto Rico’s current status, by giving territorial, spatial, and visual dimension to the so-called public debt.
Promised Land Air, A(n) Office’s contribution to the 2016 US Pavilion for the architecture Venice Biennale, is now on view at the Museum of Contemporary Art in Detroit in its first tour stop. Projects will be on display in Detroit until April 16 and will continue their tour to Los Angeles. More about the project here.
Promised L-a-n-d Air, the A(n) Office proposal for Mexicantown/Southwest Detroit, engages the consequences of North American infrastructure for urban housing, industrial plants, international institutions, and air quality. The program for the almost 10-acre site is conceived as layers of remediation–remediating the displacement of nearby residents, remediating the proliferation of trucks in residential neighborhoods, and remediating the air pollution emitted by industry and diesel engines.
Exhibited in the U.S. Pavilion for the 2016 Venice Architecture Biennale.