Tag: exhibition
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TEATRO DELLA TERRA ALIENATA
Moderated a panel on the Golden Bee wining Australia Pavilion of the 2019 Triennale di Milano, curated by Amaia Sanchez-Velasco, Jorge Valiente Oriol, Miguel Rodriguez-Casellas, Gonzalo Valiente, and included the participation of artist Patricia Reed. “Teatro Della Terra Alienata (Theatre of the Alienated Land) is the name of the Australian Pavilion designed by the UTS […]
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SUBJECT
SUBJECT, 2019 Commercial exhibition banner, printed (36 x 168 in.) SUBJECT appeals to the use of language as a form of engagement, communication, and instruction. It also inquires, by been not-prescriptive but open-ended, text and word’s capacity to communicate apparent ideas or ideologies in the visual and psychological dialogue with the body that is confronted […]
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DOES A SURFACE SPEAK?
Does A Surface Speak? was my contribution for the collective exhibition, “Yes I’ve Had A Facelift, But Who Han’t” curated by Shyan Rahimi, Jessica Kwok and Adjustments Agency. Does A Surface Speak? is part monologue, part interrogation, part repository, and interactive piece that ask questions to the way (mostly) architectural surfaces are perceived and treated. The […]
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THE MEDIA OF ARCHITECTURE: PRINT, EXHIBITIONS, AND COMMUNICATIONS AT COLUMBIA GSAPP
“The Media of Architecture: Print, Exhibitions, and Communications at Columbia GSAPP” December 9, 12:30pm at GSAPP Incubator / New Inc. Rather than examine these methods within the production of architecture itself, this event explores architectural narratives as they are expressed within academic, critical, and cultural settings. We will consider the role of exhibition making, print […]
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US PAVILION 2016 PROMISED L-A-N-D AIR
Promised L-a-n-d Air, the A(n) Office proposal for Mexicantown/Southwest Detroit, engages the consequences of North American infrastructure for urban housing, industrial plants, international institutions, and air quality. The program for the almost 10-acre site is conceived as layers of remediation–remediating the displacement of nearby residents, remediating the proliferation of trucks in residential neighborhoods, and remediating the air […]
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ASCENDING, DURATION, ROOMS
Ascending, Duration and Rooms (13:54 each) are the three short films based on the un-construction of the House Opera in Detroit. Each film disassemble and reconstruct the footage of one-week of work into three themes: sound, time and space respectively. Exhibited at the BEB Gallery in the Rhode Island School of Design as part of the […]
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METHODS AND MEDIA
Methods and Media is an exhibition and a lecture at the BB Gallery of the Rhode Island School of Design after an invitation by faculty members Emanuel Admassu and Aaron Forrest. Methods and Media, the exhibition, is the exploration of the unconstruction process of the A(n) Office/McEwen Studio House Opera, as I video-documented it during a […]
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REPLACING SPLITTING
Artist Gordon Matta-Clark Splitting’s house photographs were superimposed in the location where the house stood before demolition in 1974. Re-placing took place on April 2013 in Englewood, New Jersey. RE-PLACING SPLITTING is part of Destructive Knowledge: Tools for Learning to Un-Dō, a theoretical investigation between docility, knowledge and discipline through the artist’s work. Physical Installation, […]
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ARCHITECTURE OF INDUSTRIOUSNESS
Architecture of Industriousness is a short text part of House Housing: An Untimely History ofArchitecture and Real Estate in Nineteen Episodes, exhibition’s pamphlet, made for the traveling exhibition Venice’s Casa Muraro during the summer of 2014, and off-Venice Biennale site. Also available on the web at http://www.house-housing.com. Research and Production Coordinator for the Venice part […]
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POST-SPECULATION ACT I
Post-Speculation Act I was an exhibition at P! Gallery featuring HOWDOYOUSAYYAMINAFRICAN. A project with A(n) Office, we designed the exhibition and installation of multimedia images and videos, as well as objects. 28 screens where displaying news and artists’ work related to urgent racial issues, subverting the typical surveillance display into a revealing and exposure device. […]
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LOCATING OUT-SOURCING
PG-Arch, a project for the exhibition Locating Out-sourcing at Studio-X Mumbai, departs from the acronyms used in the industry as a provocation for its architecture, from the Perfectly Generic Architecture (equivalent to the Professional Golf Association) to a Politically Generated Architecture. Photo shows Pangea3 headquarters, one of the largest legal-outsourcing services provider based in New […]
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CIUDADLAB: BRAZIL, THE FORM OF DESIRE
After researching the cities of Rio de Janeiro, Brasilia and São Paulo in Brazil we identified leisure, void, security, industry, body, tourism and monumentality as drivers of the forms of desire. With and ever expanding economy, Brazil has become the world’s eighth economy and the destination for countless local and international events. The research was […]
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CIUDADLAB: UTOPIA IN MOSCOW
As with every CIUDADLAB research and exhibition project, we pick a different destination in an attempt to broaden the frame of reference from which we imagine the city. During the year 2008, choosing Moscow seemed to sense Russia’s renewed presence in the geopolitical game as we experienced the beginning of a renewed “Cold War.” Beyond Moscow’s exoticism with […]
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ANARCHIST GARDENER
Led by pedestrian deity (Finnish architect Marco Casagrande), the anarchist gardener performance developed 12 “industrial zen gardens” during a 9 hour walking performance between the cities of Bayamón and San Juan. The anarchist gardener aimed for a better pedestrian city lost to vehicles. Performance, 2003.
Marcelo López–Dinardi 