Promised L-a-n-d Air, the A(n) Office proposal for Mexicantown/Southwest Detroit, engages the consequences of North American infrastructure for urban housing, industrial plants, international institutions, and air quality. The program for the almost 10-acre site is conceived as layers of remediation–remediating the displacement of nearby residents, remediating the proliferation of trucks in residential neighborhoods, and remediating the air pollution emitted by industry and diesel engines.
Exhibited in the U.S. Pavilion for the 2016 Venice Architecture Biennale.
Researcher, Designer, 2016.
Methods and Media is an exhibition and a lecture at the BB Gallery of the Rhode Island School of Design after an invitation by faculty members Emanuel Admassu and Aaron Forrest.
Methods and Media, the exhibition, is the exploration of the unconstruction process of the A(n) Office/McEwen Studio House Opera, as I video-documented it during a single week in Detroit. The exhibition includes three 13:57 minutes films, Duration, Ascending and Rooms, and one 1:52 minutes video showing the transformed house. Each film shows a rather systematic approach to the measured capacities of the video-media, and dissects the five-days of footage, analyzing the time-extensions of each clip taken, the sound variations, and the ambiguous perception of space through the camera lens.
Exhibition Design, Curatorial Framework, Lecturer, 2015.
The House Opera project seeks, through architectural innovation, to propose a fertile alternative to the blight binary of neglect versus demolition. The project seeks to explore what might occur when the borders of a house open up to annihilate the borders between art and community, makers and receivers of art, museums and home.
House Opera | Opera House aims to open and produce new possibilities of public engagement for architecture as a discipline and for houses as a built typology, investigating the means by which a formerly vacant house may serve as a node of cultural infrastructure. As historian Reinhold Martin argues, infrastructure is what is reproduced (financial, political or social infrastructures), the House Opera | Opera House is the product and produces communal infrastructures.
The House Opera | Opera House was originated and led by Mitch McEwen when she bought the house and received funding by grants from the Knight Foundation, Graham Foundation, University of Michigan Taubman College of Architecture and Urban Planning, and individual donors from a crowdsourcing campaign with matched funds by Michigan Economic Development Corporation.
Location: 1620 Morrell Street, Southwest Detroit, Michigan, USA
Designers: Marcelo López-Dinardi, Mitch McEwen, A(n) Office, McEwen Studio
Structural Consultant: Sarah Millsaps Towles
Collaborators: Ye Fu, Salam Rida, Rebecca Curtis, Juan Martínez
Video documentation here.
House Opera website here.
Post-Speculation Act I was an exhibition at P! Gallery featuring HOWDOYOUSAYYAMINAFRICAN. A project with A(n) Office, we designed the exhibition and installation of multimedia images and videos, as well as objects. 28 screens where displaying news and artists’ work related to urgent racial issues, subverting the typical surveillance display into a revealing and exposure device. It engaged the public audience of the street outside as well as the gallery visitors from within.
PG-Arch, a project for the exhibition Locating Out-sourcing at Studio-X Mumbai, departs from the acronyms used in the industry as a provocation for its architecture, from the Perfectly Generic Architecture (equivalent to the Professional Golf Association) to a Politically Generated Architecture. Photo shows Pangea3 headquarters, one of the largest legal-outsourcing services provider based in New York and Mumbai (photo by author, 23″x23″).
Curator, Designer, Participant, 2013.
Polimorfo is the journal of the School of Architecture of the Polytechnic University of Puerto Rico.
Founder, Editor, Designer, 2009-2011 (in collaboration with Oscar Oliver-Didier).
PDF available online here.
As with every CIUDADLAB research and exhibition project, we pick a different destination in an attempt to broaden the frame of reference from which we imagine the city. During the year 2008, choosing Moscow seemed to sense Russia’s renewed presence in the geopolitical game as we experienced the beginning of a renewed “Cold War.” Beyond Moscow’s exoticism with respect to a Western minded group, three theoretical frameworks established possible lines of comparison and analysis: Imagined City, Ideological City and Unfinished City. Through site visits, documentation and interviews, we looked to a heavily ideological city, and the traces of an unfinished imaginary world. The clash of the individual body against the collective was evident in the construction of the new capitalist Russia.
Instructor, Researcher, Exhibition Curator-Designer, San Juan, 2008.
For more information you can download a complete pamphlet here: ciudadlab-pamphlet-web
The project, the new Visitors Center and Museum for the Luis Muñoz Marín Foundation in San Juan, Puerto Rico, situates itself as a mediator and threshold between a large semi-urban forest and a historic site grouping the former home and small buildings of the owners, where the house of the first elected governor of Puerto Rico is located. A bold two-pieces volume resembles and occupied the space of a natural border that existed before, while providing a threshold welcoming flows through the building to the site and the forest.
Project Lead Designer for Toro Ferrer Arquitectos, 2006-2013.
AIA Puerto Rico, Honor Award, 2008 (unbuilt).
X Architecture Biennial Puerto Rico, Honor Award, 2008 (unbuilt).
The house was conceived as a large open interior/exterior space in between the front and back gardens of the elongated site. Two less permeable volumes contain the private and support areas. Formal public living areas are covered with a high roof to create a continuous environment with the gardens and outdoors.
Project Lead Designer for Toro Ferrer Arquitectos, Lead Project Manager and Construction Administrator, 2006-2011.