Marcelo López–Dinardi

Tag: author

  • EVERYTHING MOVES, EVERYTHING BELONGS

    Everything Moves Everything Belongs, a review of the After Belonging Oslo Architecture Triennale, 2016, published in The Architect’s Newspaper. Author, 2016.

  • FOLK POLITICS AT THE 15TH VENICE ARCHITECTURE BIENNALE

    Folk Politics at the 15th Venice Architecture Biennale is a written review and commentary on the latest Italian event directed by Alejandro Aravena, published in The Avery Review, “an online journal dedicated to thinking about books, buildings, and other architectural media.” Author, 2016.

  • ASCENDING, DURATION, ROOMS

    ASCENDING, DURATION, ROOMS

    Ascending, Duration and Rooms (13:54 each) are the three short films based on the un-construction of the House Opera in Detroit. Each film disassemble and reconstruct the footage of one-week of work into three themes: sound, time and space respectively. Exhibited at the BEB Gallery in the Rhode Island School of Design as part of the […]

  • REPLACING SPLITTING

    REPLACING SPLITTING

    Artist Gordon Matta-Clark Splitting’s house photographs were superimposed in the location where the house stood before demolition in 1974. Re-placing took place on April 2013 in Englewood, New Jersey. RE-PLACING SPLITTING is part of Destructive Knowledge: Tools for Learning to Un-Dō, a theoretical investigation between docility, knowledge and discipline through the artist’s work. Physical Installation, […]

  • 3595 BROADWAY

    3595 BROADWAY

    3595 Broadway is a critique/article to a mixed-use building by Columbia University’s uptown expansion in New York City, published in The Architect’s Newspaper here. Author, 2015.

  • PROMISCUOUS ENCOUNTERS

    PROMISCUOUS ENCOUNTERS

    Promiscuous Encounters, a day-long event held at the GSAPP in March 2012, examined the interplay between the critical, curatorial, and conceptual capacities of architecture, neither audio nor video recordings were made. This publication is, then, the vehicle for the event’s documentation and the site where the interpretations of both participants and audience are made public, […]