ASCENDING, DURATION, ROOMS

Ascending, Duration and Rooms (13:54 each) are the three short films based on the un-construction of the House Opera in Detroit. Each film disassemble and reconstruct the footage of one-week of work into three themes: sound, time and space respectively. Exhibited at the BEB Gallery in the Rhode Island School of Design as part of the exhibition and lecture Methods and Media, 2015.

Filmed by Marcelo López-Dinardi
Text by Mitch McEwen
Edited by Tyrene Calvesbert

Author, 2015.

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URBAN_NEXT INTERVIEWS

urbanNext* conducted three interviews on my “work with A(n) Office” in Detroit, a “Designer’s Approach” and my “Curatorial Approach” for the US Pavilion for the 2016 Venice Architecture Biennale. 

They can be accessed here.

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* urbanNext is an online platform aiming to generate a global network to produce content focused on rethinking architecture through the contemporary urban milieu.

 

POST-SPECULATION ACT I

Post-Speculation Act I was an exhibition at P! Gallery featuring HOWDOYOUSAYYAMINAFRICAN. A project with A(n) Office, we designed the exhibition and installation of multimedia images and videos, as well as objects. 28 screens where displaying news and artists’ work related to urgent racial issues, subverting the typical surveillance display into a revealing and exposure device. It engaged the public audience of the street outside as well as the gallery visitors from within.

Designer, 2014.

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VISITING SPLITTING

Visiting Splitting was a film screening and conversation held around two films depicting Gordon Matta-Clark’s Splitting work, including the film Visit To Humphrey Street House, a first public screening after revealing the film from the artist’s archive. In discussion with Kelly Baum, Jessamyn Fiore, GH Hovagimyan and Mark Wigley. Event held at the Storefront for Art and Architecture.

Moderator, Organizer, 2014.

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Image courtesy of the Canadian Centre for Architecture, Montreal, Canada.

More info about the event, including video documentation, can be found here.

CIUDADLAB: BRAZIL, THE FORM OF DESIRE

After researching the cities of Rio de Janeiro, Brasilia and São Paulo in Brazil we identified leisure, void, security, industry, body, tourism and monumentality as drivers of the forms of desire. With and ever expanding economy, Brazil has become the world’s eighth economy and the destination for countless local and international events. The research was organized through three analytical lenses -the Imagined City, the Ideological City and the Informal City- and worked with the hypothesis that in Brazil the imaginary of desire is employed to promulgate the worshipping of the body, the architectural object and the staging  of both within the diverse urban and natural contexts of the country. This destination of great social and cultural contrasts  like emptiness and monumentality in Brasilia, the geographical fragmentation of Rio de Janeiro as well as the self governance model that occurs in its favelas, or the congestion and cultural typological hybridity in São Paulo- proved to be a great challenge in order to investigate Brazil as container and producer of a Form of Desire

Exhibition held at the Old Armory of the Spanish Navy of Puerto Rico’s National Gallery
Old San Juan, Puerto Rico, 2010.

Instructor, Researcher, Exhibition Curator-Designer, San Juan, 2010.

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For more information you can download a complete pamphlet here: ciudadlab-pamphlet-web