Land Air, A(n) Office’s contribution to the 2016 US Pavilion for the architecture Venice Biennale, is now on view at the Museum of Contemporary Art in Detroit in its first tour stop. Projects will be on display in Detroit until April 16 and will continue their tour to Los Angeles. More about the project here.
Researcher, Designer, 2016.
Photo Courtesy of MoCAD.
Marcelo López-Dinardi is an immigrant, researcher and educator based between Bryan, TX and New York City, and is an Assistant Professor in the Department of Architecture at Texas A&M University. He is also Partner of A(n) Office. Before joining A&M he taught at Barnard+Columbia, New Jersey Institute of Technology, Penn Design, Pratt Institute, and RISD. He holds a B.Arch. from the PUPR and a MS in Critical, Curatorial and Conceptual Practices in architecture from the GSAPP, Columbia University.
Recent collaborators include: Tyrene Calvesbert, Mitch McEwen, Isabelle-Kirkham Lewitt, Harrison Ratcliff-Bush, Marina Otero Verzier, Nina Valerie Kolowratnik, Francisco Díaz, Oscar Oliver-Didier, Pier Paolo Pala, Chau Tran, Yuliya Veligurskaya.
Promised L-a-n-d Air, the A(n) Office proposal for Mexicantown/Southwest Detroit, engages the consequences of North American infrastructure for urban housing, industrial plants, international institutions, and air quality. The program for the almost 10-acre site is conceived as layers of remediation–remediating the displacement of nearby residents, remediating the proliferation of trucks in residential neighborhoods, and remediating the air pollution emitted by industry and diesel engines.
Exhibited in the U.S. Pavilion for the 2016 Venice Architecture Biennale.
Researcher, Designer, 2016.
Methods and Media is an exhibition and a lecture at the BB Gallery of the Rhode Island School of Design after an invitation by faculty members Emanuel Admassu and Aaron Forrest.
Methods and Media, the exhibition, is the exploration of the unconstruction process of the A(n) Office/McEwen Studio House Opera, as I video-documented it during a single week in Detroit. The exhibition includes three 13:57 minutes films, Duration, Ascending and Rooms, and one 1:52 minutes video showing the transformed house. Each film shows a rather systematic approach to the measured capacities of the video-media, and dissects the five-days of footage, analyzing the time-extensions of each clip taken, the sound variations, and the ambiguous perception of space through the camera lens.
Exhibition Design, Curatorial Framework, Lecturer, 2015.
The House Opera project seeks, through architectural innovation, to propose a fertile alternative to the blight binary of neglect versus demolition. The project seeks to explore what might occur when the borders of a house open up to annihilate the borders between art and community, makers and receivers of art, museums and home.
House Opera | Opera House aims to open and produce new possibilities of public engagement for architecture as a discipline and for houses as a built typology, investigating the means by which a formerly vacant house may serve as a node of cultural infrastructure. As historian Reinhold Martin argues, infrastructure is what is reproduced (financial, political or social infrastructures), the House Opera | Opera House is the product and produces communal infrastructures.
The House Opera | Opera House was originated and led by Mitch McEwen when she bought the house and received funding by grants from the Knight Foundation, Graham Foundation, University of Michigan Taubman College of Architecture and Urban Planning, and individual donors from a crowdsourcing campaign with matched funds by Michigan Economic Development Corporation.
Location: 1620 Morrell Street, Southwest Detroit, Michigan, USA
Designers: Marcelo López-Dinardi, Mitch McEwen, A(n) Office, McEwen Studio
Structural Consultant: Sarah Millsaps Towles
Collaborators: Ye Fu, Salam Rida, Rebecca Curtis, Juan Martínez
Video documentation here.
House Opera website here.
urbanNext* conducted three interviews on my “work with A(n) Office” in Detroit, a “Designer’s Approach” and my “Curatorial Approach” for the US Pavilion for the 2016 Venice Architecture Biennale.
They can be accessed here.
* urbanNext is an online platform aiming to generate a global network to produce content focused on rethinking architecture through the contemporary urban milieu.
Post-Speculation Act I was an exhibition at P! Gallery featuring HOWDOYOUSAYYAMINAFRICAN. A project with A(n) Office, we designed the exhibition and installation of multimedia images and videos, as well as objects. 28 screens where displaying news and artists’ work related to urgent racial issues, subverting the typical surveillance display into a revealing and exposure device. It engaged the public audience of the street outside as well as the gallery visitors from within.
Anonymous symposium presentation on the panel Commonisms, at the Princeton University School of Architecture with A(n) Office, 2013.
Video documentation of the event here.