Folk Politics at the 15th Venice Architecture Biennale is a written review and commentary on the latest Italian event directed by Alejandro Aravena, published in The Avery Review, “an online journal dedicated to thinking about books, buildings, and other architectural media.”
IDEAS CITY Athens was a week-long residency program organized by New York’s New Museum in collaboration with Neon Foundation. “The five-day residency will bring together emerging practitioners working at the intersection of community activism, art, design, architecture, and technology in cities around the world. IdeasCity Fellows will live and work in the Athens Conservatory and will transform the space into a multifunctional hub of cultural activity [it] will observe Athens from the perspective of two key forces that are defining cities today: the flow of humanity and the flow of capital.”
Fellow participant, 2016.
UNDISCIPLINED CMU: A DESIGN-BUILD MASONRY STUDIO is the book that document the project of the same name. The book was done during the Summer of 2015 in collaboration with Pier Paolo Pala, Chau Tran and Yuliya Veligurskaya, students who took part on the Spring semester making the project. The book is available for purchase here and to view online here.
Studio Instructor, Editor, 2015.
Spatial Construction: Occupying a Grid is an exercise for the Introduction to Architecture and Visual Culture studio for non-majors at Barnard and Columbia. It is focused on the better understanding of space within a set of given parameters. First, it will work around a virtual cubic structure (12″x12″)that will contain a formal grid. This will define one “spatial” and “formal” boundary to be enhanced, explored, challenged or disrupted. Second, following your home-to-studio-trip record and experience, you will elaborate a spatial construction based –but not limited to– your trip.
Studio Instructor, 2015-16.
Ascending, Duration and Rooms (13:54 each) are the three short films based on the un-construction of the House Opera in Detroit. Each film disassemble and reconstruct the footage of one-week of work into three themes: sound, time and space respectively. Exhibited at the BEB Gallery in the Rhode Island School of Design as part of the exhibition and lecture Methods and Media, 2015.
Filmed by Marcelo López-Dinardi
Text by Mitch McEwen
Edited by Tyrene Calvesbert
The Day After the Carnival: The Hangover of Work (in Late Capitalism) was a graduate studio taught at Penn Design in the University of Pennsylvania, inquiring the intersection of work-production as a mode of carnivalesque action in the form of hangover. Students researched and draw existing program-buildings near Northern Liberties, analyzed their local-global logics, composed programmatic drawings, developed strategies and formulated and architectural assembly combining them all, including a large cultural programming.
Studio Instructor, 2016.
3595 Broadway is a critique/article to a mixed-use building by Columbia University’s uptown expansion in New York City, published in The Architect’s Newspaper here.
The core 2nd year studio at the New Jersey Institute of Technology aim to discuss and develop design strategies for the concepts of tectonics and buildings’ systems. The studio was given with an emphasis in experimenting with the tools of geometric and ordering systems and their networked capacity.
Studio Instructor, 2014.
Promiscuous Encounters: Addressing/Assessing Adhocracy, a day-long event held at the Galata Greek School after an invitation form the curatorial team for the first Istanbul Design Biennial in November 2012, examined the exhibition ADHOCRACY curated by Joseph Grima through the lens of: invisibility, design, value and commons.
Participants: Ethel Baraona Pohl, Ute Meta Bauer, Francisco Díaz, Bogachan Dundarlp, Joseph Grima, Nikolaus Hirsch, Omer Kanipak, Nina Valerie Kolowratnik, Marcelo López-Dinardi, Marina Otero-Verzier, Erhan Oze, Felicity D. Scott, Pelin Tan, Mark Wasiuta.
Organizer, Moderator, 2012.
After researching the cities of Rio de Janeiro, Brasilia and São Paulo in Brazil we identified leisure, void, security, industry, body, tourism and monumentality as drivers of the forms of desire. With and ever expanding economy, Brazil has become the world’s eighth economy and the destination for countless local and international events. The research was organized through three analytical lenses -the Imagined City, the Ideological City and the Informal City- and worked with the hypothesis that in Brazil the imaginary of desire is employed to promulgate the worshipping of the body, the architectural object and the staging of both within the diverse urban and natural contexts of the country. This destination of great social and cultural contrasts like emptiness and monumentality in Brasilia, the geographical fragmentation of Rio de Janeiro as well as the self governance model that occurs in its favelas, or the congestion and cultural typological hybridity in São Paulo- proved to be a great challenge in order to investigate Brazil as container and producer of a Form of Desire.
Exhibition held at the Old Armory of the Spanish Navy of Puerto Rico’s National Gallery
Old San Juan, Puerto Rico, 2010.
Instructor, Researcher, Exhibition Curator-Designer, San Juan, 2010.
For more information you can download a complete pamphlet here: ciudadlab-pamphlet-web
For the initial part of the course, first year undergraduate students where confronted to notions of place and context. An analytical city study was developed through the layering of cartographic drawings including a vast variety of the city’s visible and invisible infrastructure. Mixed media, hand drawn.
Studio Instructor, 2007.